Archive for the ‘Susie Tullett - Film Marketing Expert’ Category

How to market a film costing only $15,000: Film Marketing Case Study: Paranormal Activity

Tuesday, December 1st, 2009

How do you go about the film marketing for a small film costing virtually nothing. Of course there are all the social media methods discussed one the OFC blog (See our Film Marketing Sectiion)… however, we’ve heard about something interesting that Paramount are doing which is really quite exciting!

Instead of putting all their promotional resources into the film that might not work they have decided to ask film fans, to help market the film for them – much like we are hoping to do with One Fat Cigar. i.e. asking a community of people to help promote their film making friends by inviting them to become involved in the site, be updated on projects even before they launch, and then use this as a springboard for commercial success when the film is ready for release.

Paramount, has been doing something slightly more localised for a film called Paranormal Activity – screening the film in 12 towns – asking fans where to expand it next. Fans entered their postcode to vote for where the film should go and they could then see it in their region. The plan was that if the film gets 1,000,000 hits on the films website then they’ll expand it nationwide. They promoted it through social media channels such as Twitter etc. It did. Easily.

The film is a Horror Movie, so it was screened late night in cinemas, and was very well received much like The Blair Witch Project.In October the film had an $800,000+ box office.

It is now being marketed and screened not just the US, but also the UK. Quite a result for such a small budget movie.

How could something like this work for an Independent Film Maker on One Fat Cigar.com?

We were thinking how we could apply this to One Fat Cigar. We were thinking to do something similar on the OFC website through a regional petition mechanism where film fans can register interest to have the film screened in their region.  This has the advantage of allowing you to potentially distribute the film yourself, only paying for a small number of 35mm film prints showing in your local cinemas and then spreading it region by region as demand grows. Fans on OFC can petition to be able to see the film in their area, simply by entering a ZIP/Postal Code or similar mechanism.

Now of course, this isn’t going to work unless you’ve got an awesome movie. But what is you have? This could be an incredible way to market your movie and have distributors biting your hand off.

If you’re not already get signed up to our site mailing list and facebook pages do so – and tell your friends to do so -we’ll need a big community to make this work. If you would like this service added to the One Fat Cigar site please comment below. It won’t be there when we launch, but we can make it a priority for early in 2010 – which to be honest isn’t so far away!

Please mention this to your friends and get them to comment below… the site will be up before Christmas. We promise. Let us know how strongly you feel about this and we’ll see what we can do!


How Twilight New Moon generated so much interest – The Essential Independent Film Marketing Guide

Monday, November 23rd, 2009

The phenomenal film marketing of the Twilight Saga’s New Moon continues to generate huge publicity… in the weeks building up to its opening weekend it has gained massive amounts of attention and awareness. This is no surprise given the techniques they have adopted.

So how have they generated so much hype in their film marketing – and how can it be applied to an independent film?

The Producers and marketing team behind the saga have gone to great lengths to make the most of social media techniques, but have recognised the importance of offline PR techniques to provide interesting material to promote.

Here are a few of the online techniques used:

Twitter – Twilight allowed, via their twitter feed, the opportunity to ask the actors directly questions about the movie. Once again proving that access is crucial to the success of the film.

See: @Twilight – Twilight by Summit Entertainment

iPhone Apps – Twilight clearly felt the need to create an iPhone Application. The concept was to encourage interaction with the fans, and that they would pay a small charge for the privilege – Peter Facinelli and Billy Burke built an App that provided an insight into the characters – biographies and so forth which gave additional background and depth to the film.

Facebook – By giving exclusive opportunities to their fans before the film launched and by providing unique interviews with the core cast, the production team allowed fans who were unable to meet the cast and crew in person to have an opportunity to find out more and get close to them through becoming a fan on Facebook. They opened up discussion forums and provided images to give some behind-the-scenes opportunities.

Red Carpet Live Stream – An online live stream from the red carpet showed the arrival of the stars from the film – they used ‘UStream’ which worked particularly well for this and generated record number of traffic. There’s no reason why independent filmmakers can’t do the same, with a little amount of effort… that said there needs to be awareness, which can be generated by some of the other techniques demonstrated here.

You Tube – Lots of imitation on You Tube of many of the of the ‘Twihards’. This was clever as the imitations themselves promote the film. It might just be possible to get some of the crew to do an imitation of the film they are working on for you and post it up on You Tube.

Offline Promotion

Meeting people in person – creating massive offline PR

The entire cast – this includes the werewolves and the Volturi (the organized coven of “royal” vampires) – are making appearances everywhere you can possibly imagine! This means that by meeting people in person, they are creating connections. These connections will equate to ticket and merchandise sales. In addition they conducted press conferences in Japan, Brazil and Mexico, to give a bit of worldwide spread to their publicity.

Trailers

Of course there are many of the more traditional methods used to promote the movie. Trailers appeared prominently in cinemas and online months before the film was released and were made as soon as post-production started. Something definitely recommended by film marketers to bring the film to life and create interest.

Brand Involvement

All the usual ‘big brand’ accompaniments followed the launch of the film which naturally meant reaching all the big brand customers – AT&T ringtones for example are typical to generate hype and awareness.

Of course, this isn’t something that small independent film producers can do. But perhaps there might be local companies willing to support the production and promote it on the release – especially if they have a number of customers.

Competitions

Twilight adopted several competitions. For example, the possibility to win a trip to Italy is one of the big opportunities being offered to brand’s customers through sweepstakes, and a hide-and-seek style participation to find clues to win the trip. Volvo offered the opportunity to win the car the Edward drives. We can’t do that – but you could win some of the props?!

Even without a big brand onboard this is something than could be viral and a small budget allowance could provide a great opportunity for promotion.

Conclusion

So most of these techniques are entirely possible to adopt on very little budget:

1. Driving the audience to something that they will find interesting

2. Understand the target market – in this case teenagers, and offer something appealing to them in this case, fantasy and adventure, and ‘attractive’ cast

3. Create “Buzz” through both off-line and online PR by creating an interesting story, lots of detailed character background, and follow up promotions

4. Content is King – create something that excites and keep exciting… film is a fascinating business – fans like fantasies, to be removed from the day to day, so create a world beyond ‘normal’

5. Do it early – while you’re still in production or even before begin to promote your film.

6. Be open to ideas and opportunities

Use online tools such as Twitter, Facebook, You Tube, in addition to One Fat Cigar.com for your film marketing and drive traffic to one location – i.e. your website, or page on One Fat Cigar

For more on online promotion we recommend reading the following article which provides some detail on the techniques as to how to generate traffic offline for your movie check out Susie Tullett’s film marketing guide.


FILM MARKETING (Part 5): How filmmakers produce great EPKs (Electronic Press Kits) and why it is so important!

Saturday, October 3rd, 2009

By Susie Tullett (Unit Publicist on Easy Virtue, The Illusionist, Peter and the Wolf etc..)

An EPK (Electronic Press Kit) is part of the essential Film Makers handbook. It’s something you need to do when filming, featuring all your key actors, directors and film crew- and it needs to be good since it will be used with any distribution you may have, or wish to have. This means your PR team have something to work with!

Essentially an EPK is a press kit produced in a Digital Format. The most basic EPKs consist of a collection of interviews with key cast and crew members, and some behind the scenes footage, plus in some cases a selection of final film clips, and possibly the theatrical trailer.

Content

A good EPK will generally contain a selection of ‘B’ roll – e.g. filmed activity behind the scenes.  This would ideally contain shots of the director behind the camera, the set up of a stunt (if appropriate), footage of a willing actor in make-up, or anything else that represents the ‘colour’ and the atmosphere and making-of the film.

Interviews with the main actors and key crew will also be done to camera.  The questions should be written once the script has been read, and the interviewer has a grasp of the subject matter and plot.  These questions should be fairly in-depth and the artist should be encouraged to talk about their role, and their interaction with other characters.  They should also be encouraged to talk about the costumes, any stunts they might have to do, and any special make up, so that clips from the film can later be inserted to illustrate a particular scene.

Formats of EPKs

Increasingly the term electronic press kit is being used to describe a DVD (or some other digitally recorded output) or website.  EPKs can be in a number of formats:

  • Video, DVD or web format.  For use in broadcast the materials are often produced in Beta format and the standard of the material you produce must be of sufficient quality, with good lighting and decent production values to be shown on television.
  • A simple EPK can be produced to go online, and therefore press should be directed to your website.  One Fat Cigar will also be offering an exclusive service for the press to access EPK’s you have produced online, and there’s no reason not to report on the making of the EPK either (another PR opportunity!).

EPKs are produced and edited by a small number of highly specialist companies who employ Director/Producers (D/Ps) to write and edit each production. Some Unit photographers now have DV cameras as well as still cameras, and will alternate between shooting stills and B-roll.  This can be a cheaper option than one of the dedicated EPK ‘houses’.  A competent Unit Publicist, in association with the producer will identify the optimum EPK days from the shooting schedule.

Conclusion

My advice is to do the best you can in producing a decent EPK, whether you hire a DV camera for a few key days during your shoot and do it yourself, or whether your budget stretches to a specialist EPK production outfit.  They are useful tools which can be handed over to broadcast companies to promote your film, posted on your website (and therefore linked to..) and provide some of the ‘Extras’ on the DVD.   For examples of EPKs, have a look at www.specialtreats.com.uk

and www.closeup-productions.com

What to do now:

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