Posts Tagged ‘film production’

We’re now shouting about your productions to distributors!

Wednesday, March 10th, 2010

Hi Guys,

We’ve signed up a lot of leading UK distributors who have asked us to recommend projects on OneFatCigar.com. They’re keen to see exciting new productions, and we’re keen to provide them with access. And that’s just the start. Soon we’ll be talking to distributors in other countries and begin to add them to the list. They see us as a great resource to access new films that they otherwise wouldn’t see or be aware of and to understand film makers who also have a talent for marketing their work.

We’d love you as our film making friends to have the opportunity to access them.

How can you access the distributors?
First we need your production on the site with the cast and crew credited with profiles – the distributors are keen to see the biographies of all the talent involved, so please attach them to the project. Don’t just leave them blank.

What will help your production to get on our regular updates to distributors?

1. High quality, regular, engaging uploads during the various stages of production – not simply announcing the project and then leaving it dormant
2. A piece to camera introduction to your movie aimed at fans/distributors
3. A pretty cool trailer for your movie would be great when you are at that stage
4. A decent fan base so that a distributor can see that it is interesting to the public and that marketing has already begun
5. Interviews with the Director/Cast/Producers
6. Interesting behind-the-scenes footage
7. A great synopsis clearly and concisely describing the film
8. A clearly enthusiastic fan base!

Does it cost?

Sign up to One Fat Cigar.com isn’t expensive. For Film Makers, cast and crew, it is £10/c.$15 per quarter for premium membership. So not a lot!

Basic membership for film fans and your friends is entirely FREE!

Signed-up and keen to see our ‘How to promote your movies on OFC’ guide?

We’d like to help you promote your movies. Drop us a line and if you’re a premium member we’ll email our guide to you – team@onefatcigar.com

Which films will we champion?

Any films presented to distributors will, for the moment, remain anonymous – but they will be projects that really grab our attention. So spread the word about your projects on OFC and we could be putting it in front of distributors for you.

How many films will you promote?

As many each month that we feel are strong enough to be presented.

We’re right behind every independent film maker and are here to help you. Help us, help you, by giving us something to shout about!

Things to do…

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One Fat Cigar: Seeking a Film/TV Job ?

Tuesday, December 15th, 2009

We thought it would be worth outlining how we hope to help those seeking a Film/TV Job. At this embryonic stage of our development we are proving the tools for up-and-coming talent plus those already in the film industry to promote themselves on the website but more importantly access to film makers and production houses who will be seeking crew for their film and television projects.

Here’s what you can do today on the website as a premium member (£10 (c.$15) per 3 months):

1. Upload a biography
2. Upload a headshot and showreel
3. Choose one of a full range of detailed film professions
4. View jobs and apply for vacancies
5. Promote yourself (and your projects) and contact other film makers who may have projects in development

By the Spring/Summer 2010 our plan is to launch our PRO membership and Production membership which will go much further:

1. Pro membership will be available to anyone who has an imdb credit or is featured on spotlight
2. Upload Agent/Management contact information
3. Recommend colleagues and get them to recommend you!
4. Have all credits confirmed and checked so that those posting jobs know you have a verified account
5. Apply and view paid professional jobs only, and therefore avoiding losing time filtering through positions that will not be suitable
6. Producers and Production Managers will be able to contact you regarding positions they may have available and jobs which match your set criteria will be delivered directly to your inbox
7. Production Houses will be able to contact other production houses around the world and recruit crews to man their projects -being recommended by their peers.

One Fat Cigar is now live! Search for film/tv job now

If twitter is your thing you can view any vacancies on movie jobs


FILM MARKETING (Part 5): How filmmakers produce great EPKs (Electronic Press Kits) and why it is so important!

Saturday, October 3rd, 2009

By Susie Tullett (Unit Publicist on Easy Virtue, The Illusionist, Peter and the Wolf etc..)

An EPK (Electronic Press Kit) is part of the essential Film Makers handbook. It’s something you need to do when filming, featuring all your key actors, directors and film crew- and it needs to be good since it will be used with any distribution you may have, or wish to have. This means your PR team have something to work with!

Essentially an EPK is a press kit produced in a Digital Format. The most basic EPKs consist of a collection of interviews with key cast and crew members, and some behind the scenes footage, plus in some cases a selection of final film clips, and possibly the theatrical trailer.

Content

A good EPK will generally contain a selection of ‘B’ roll – e.g. filmed activity behind the scenes.  This would ideally contain shots of the director behind the camera, the set up of a stunt (if appropriate), footage of a willing actor in make-up, or anything else that represents the ‘colour’ and the atmosphere and making-of the film.

Interviews with the main actors and key crew will also be done to camera.  The questions should be written once the script has been read, and the interviewer has a grasp of the subject matter and plot.  These questions should be fairly in-depth and the artist should be encouraged to talk about their role, and their interaction with other characters.  They should also be encouraged to talk about the costumes, any stunts they might have to do, and any special make up, so that clips from the film can later be inserted to illustrate a particular scene.

Formats of EPKs

Increasingly the term electronic press kit is being used to describe a DVD (or some other digitally recorded output) or website.  EPKs can be in a number of formats:

  • Video, DVD or web format.  For use in broadcast the materials are often produced in Beta format and the standard of the material you produce must be of sufficient quality, with good lighting and decent production values to be shown on television.
  • A simple EPK can be produced to go online, and therefore press should be directed to your website.  One Fat Cigar will also be offering an exclusive service for the press to access EPK’s you have produced online, and there’s no reason not to report on the making of the EPK either (another PR opportunity!).

EPKs are produced and edited by a small number of highly specialist companies who employ Director/Producers (D/Ps) to write and edit each production. Some Unit photographers now have DV cameras as well as still cameras, and will alternate between shooting stills and B-roll.  This can be a cheaper option than one of the dedicated EPK ‘houses’.  A competent Unit Publicist, in association with the producer will identify the optimum EPK days from the shooting schedule.

Conclusion

My advice is to do the best you can in producing a decent EPK, whether you hire a DV camera for a few key days during your shoot and do it yourself, or whether your budget stretches to a specialist EPK production outfit.  They are useful tools which can be handed over to broadcast companies to promote your film, posted on your website (and therefore linked to..) and provide some of the ‘Extras’ on the DVD.   For examples of EPKs, have a look at www.specialtreats.com.uk

and www.closeup-productions.com

What to do now:

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